Blah blah blah… this led to a conversation with Wm. Berger about movies that give off a bit of a “Telecult vibe.” I was thinking The Satanic Rites of Dracula & Psychomania, and I was excited to see his list was different than mine. Looks like I will have no problem figuring out what to put on my Netflix cue in November.
Make sure you click on the image, it will take you to a youtube clip of the film in question. Un-Telecult Soundtracked tho.
With that, I present to you Wm. Berger’s Five Points Twice: Ten Films to Watch Telecult Powers By – Witchbeam
1. My favorite Telecult Powers recordings – the tapes Dedicated to Robert Moore b/w Twilight of the Oscillators, and Kiss the Viper’s Fang. These, plus the Telecult WFMU live session from my show this past July 22.
2. A stack of DVD/VHS, all films I love and have watched more than twice
1. View segments of each film, with tapes playing loudly, and film audio completely muted. (Subtitles were at first optional, but I ultimately decided against them, deciding that they distracted from the mission at hand.)
2. Judge appropriately. (Sub-criteria: a) striking visuals throughout; b) occult themes; c) sex—but not porn—think real women: soft, clean, boob-heavy 60s-70s-type sex; d) always remember—a good hooded cloak,
black or red, never hurts.)
3. Fine tune results. Ideally, the film and music arc and lift together.
4. Finally, consider the numerology, i.e., the number of items on the list. Does it feel right? Can a title or two be easily shaved? The answer is probably yes.
The below are indeed in a very specific order of my personal viewing preference.
Many thanks to Witchbeam for suggesting this study.
2. Inferno (dir. Dario Argento, 1980)
Since Suspiria already has the most wonderful soundtrack ever, Inferno, its cousin similar in look and tone, is the ideal Argento film for a Telecult treatment. To hear the Pei boys warble and pulsate at that underwater room scene might almost be too much.
5. Lemora: A Child’s Tale of the Supernatural (dir. Richard Blackburn, 1973)
One of my favorite films. Why would I not want to hear one of my favorite contemporary bands score it? Set almost entirely in vampiric bluish-purple.
7. Shock Waves (dir. Ken Wiederhorn, 1977)
Nazi zombies; another one of my all-time favorites. (Comes with its own burbling, unsettling synthesizer score, so watch it before (or after) with the sound UP.)
10. Equinox (dir. Jack Woods, 1970)
A childhood favorite of mine, and a genuinely disturbing tale, featuring an evil forest ranger, an invisible castle, The Lord’s Prayer read backwards, and several stop-motion monsters, among other delights. Equinox directly inspired Sam Raimi’s Evil Dead and Evil Dead II.
And for a damned-fine alternate, I also suggest —